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Kyle Stilleno is the invisible student, toiling through high school in the middle of Nowhere, Texas. Brad Greymark is the baseball star of Foster High. When they bond over their mutual damage during a night of history tutoring, Kyle thinks maybe his life has changed for good. But the promise of fairy-tale love is a lie when you’re gay and falling for the most popular boy in school. A coming of age story in the same vein of John Hughes, Tales from Foster High shows an unflinching vision of the ups and downs of teenage love and what it is like to grow up gay.

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Three years undercover with one of the worst gangs in the country left FBI agent Joshua Chastain shattered. Battling nightmares and addiction, he leaves the concrete jungle for New Mexico horse country, hoping to start over on his uncle’s ranch.

Foreman Eli Kelly spends his life rehabilitating abused animals, and Joshua is just another lost soul. But as Joshua slowly begins to put his life back together, Eli realizes that Joshua is a lot more than his newest project.

Joshua’s plan seems to work—maybe a fresh start was just what he needed. Then, just when he has finally found a sense of peace, crime and hatred nearly destroy all his hard work, forcing him to reevaluate what he wants out his relationship with Eli and his own life.

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He was dead. And it was murder most foul. If erasing a man’s existence could even be called murder.

When Damien Mitchell wakes, he finds himself without a life or a name. The Montana asylum’s doctors tell him he’s delusional and his memories are all lies: he’s really Stephen Thompson, and he’d gone over the edge, obsessing about a rock star who died in a fiery crash. His chance to escape back to his own life comes when his prison burns, but a gunman is waiting for him, determined that neither Stephen Thompson nor Damien Mitchell will escape.

With the assassin on his tail, Damien flees to the City by the Bay, but keeping a low profile is the only way he’ll survive as he searches San Francisco for his best friend, Miki St. John. Falling back on what kept him fed before he made it big, Damien sings for his supper outside Finnegan’s, an Irish pub on the pier, and he soon falls in with the owner, Sionn Murphy. Damien doesn’t need a complication like Sionn, and to make matters worse, the gunman—who doesn’t mind going through Sionn or anyone else if that’s what it takes kill Damien—shows up to finish what he started.

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It’s easy to become cynical when life never goes your way.

Cole Reid has been a social recluse since he was fifteen, when he was outed by his high school baseball team. Since then, his obsessive-compulsive behavior and sarcastic nature have driven away most of the population, and everyone else hates him because he’s gay. As he sees it, he’s bound to repulse any prospective friends, let alone boyfriends, so why bother?

By the time Cole enters college, he’s become an anal-retentive loner—but it’s not a problem until his roommate graduates and the housing department assigns Ellis Montgomery to move in with Cole. Ellis is messy, gorgeous, straight, and worst of all, a jock!

During a school year filled with frat buddies, camping expeditions, and meddling parents, Cole and Ellis develop a friendship that turns Cole’s glass-half-empty outlook on its head. There must be more to Ellis than a fun-loving jock—and maybe Cole’s reawakening libido has rekindled his hope for more than camaraderie.

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Up until he buys an old truck, Elijah Morgan lives life according to his family’s plan, never feeling like he belongs. Desperate to find his own path, he heads out on the open road, only to end up stranded in Nebraska. Not wanting to ask for his parents’ help, he takes a job with tough, independent farmer Chase McKenzie.

Despite their age gap, the attraction between Chase and Elijah soon becomes undeniable. They give in to their desire, but that night changes everything and threatens the secret Chase guards so carefully.

As the summer heats up, so does their relationship. When autumn arrives, Elijah is due back at college, and he’ll have to choose whether to continue his education and follow in his family’s footsteps… or to stay in Nebraska with the man he loves.

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Forty-five-year-old English professor Nathan Qells is very good at making people feel important. What he’s not very good at is sticking around afterward. He’s a nice guy; he just doesn’t feel things the way other people do. So even after all the time he’s spent taking care of Michael, the kid across the hall, he doesn’t realize that Michael’s mob muscle uncle and guardian, Andreo Fiore, has slowly been falling in love with him.

Dreo has bigger problems than getting Nate to see him as a potential partner. He’s raising his nephew, trying to leave his unsavory job, and starting his own business, a process made infinitely more difficult when a series of hits takes out some key underworld players. Still, Dreo is determined to build a life he can be proud of—a life with Nate as a cornerstone. A life that is starting to look like exactly what Nate has been seeking. Unfortunately for Dreo—and for Nate—the last hits were just part of a major reorganization, and Dreo’s obvious love for Nate has made him a target too.

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Magical species must never mix. According to the rules, Simon Osborne should ignore the children’s cries for help. After all, they’re werewolf cubs, and he’s an apprentice mage. But for once in his life, Simon breaks the rules and rescues the cubs, saving them from a demon intent on draining them of their magic.

Of course, all actions have consequences, and Simon’s bold move earns him the displeasure of his peers and the attention of the cubs’ alpha, a man named Gray Townsend.

The last thing Gray needs is a mage in his life, but Simon did save his son. Since Simon is now a friend of the pack, Gray doesn’t have much choice about it—or the forbidden attraction that goes along with it. Unfortunately for the alpha, he needs Simon’s help to track down the demon behind the kidnappings—before it strikes again. Simon and Gray must join forces to protect the pack, even as they struggle to resist the temptation that threatens to destroy them both.

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There’s a dead man in Miki St. John’s vintage Pontiac GTO, and he has no idea how it got there.

After Miki survives the tragic accident that killed his best friend and the other members of their band, Sinner’s Gin, all he wants is to hide from the world in the refurbished warehouse he bought before their last tour. But when the man who sexually abused him as a boy is killed and his remains are dumped in Miki’s car, Miki fears Death isn’t done with him yet.

Kane Morgan, the SFPD inspector renting space in the art co-op next door, initially suspects Miki had a hand in the man’s murder, but Kane soon realizes Miki is as much a victim as the man splattered inside the GTO. As the murderer’s body count rises, the attraction between Miki and Kane heats up. Neither man knows if they can make a relationship work, but despite Miki’s emotional damage, Kane is determined to teach him how to love and be loved — provided, of course, Kane can catch the killer before Miki becomes the murderer’s final victim.

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On the day he and Roman Capanelli were to be married, Malik Stevens wakes up in a small room with very little light. Time must be passing, because a door opens from time to time and food is left for him—that’s his only connection to the outside world. Roman is a choreographer on Broadway, and he’s waiting for Malik at the park with all their friends, ready to start their marriage ceremony. When Malik doesn’t show up, Roman is nearly heartbroken thinking he’s been left at the altar. But soon he understands that Malik hasn’t stood him up, he’s been taken.

Desperate and determined, Roman begins searching for clues to aid the police. Then, when Malik escapes, the couple continues the search until they ferret out the culprit, and in the process open up a box of secrets. An orphan who grew up in a foster home, Malik knows his father was a serial killer and his mother died of grief and shame after his father was convicted. Now it seems some of his parents’ skeletons still hang in the family closet. But was Malik’s kidnapping meant to uncover those secrets or to hide them forever?

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Kendall Monroe is handcuffed to a car in the desert.

Is this life imitating art or art imitating life? The only thing he’s sure of is that the situation he finds himself in is a copy of a scene he filmed earlier, only this time, there is no director yelling “cut” and no crew to rescue him. Terrified for his life, Kendall takes comfort remembering happier times with his longtime lover, Johnny. He hasn’t seen Johnny in weeks since Johnny stayed behind to finish his latest best-selling novel.

As he attempts to survive scorching-hot days and freezing nights, Kendall tries to figure out who did this to him. Could it be Johnny, or the research assistant he suspects Johnny is having an affair with? Both options fill him with bitterness. Or is it a more likely suspect? Kendall has a stalker who sends him flowers and always seems to know where he is. But what does this stranger have to gain by leaving Kendall stranded in the middle of nowhere?

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Kevin Derocher was thirty-two when he walked into Tom’s office, newly married, a baby on the way, and the collar of his red flannel shirt pulled up to hide the bruises around his throat from when he hanged himself in his garage. After his initial consult, therapist Tom Langois believes he’ll never see Kevin again—but Kevin turns up three years later to make repairs on Tom’s new house.

Kevin and Tom become fast friends, and Tom begins to suspect Kevin may be interested in more than friendship. However, Kevin remains haunted by something from his childhood—something so terrible he blocked it from his mind. These suppressed memories make it impossible for Kevin to get close to anyone without panicking and lashing out, sometimes violently. But as his past begins to surface, it becomes apparent that Kevin may hold the key to a twenty-five-year-old mystery: what happened to Billy?

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Howard Justinian has always had to fight for his freedom. Because he was born blind, everyone is always trying to shelter him, but he’s determined to live his life on his own terms.

When an argument with his boyfriend over that hard-won self-reliance leaves Howard stranded by the side of the road, assistance arrives in the form of Gordy Jarrett. Gordy is a missionary’s son, so helping others is second nature—and he does it in such an unassuming manner that Howard can’t say no.

Life is barely back on track when Howard receives shocking news: his sister died, leaving him her daughter to care for. Howard now faces his greatest challenge yet: for Sophia’s safety, he’ll need to accept help, but will he learn to accept it from Gordy, the one man who will not curb his independence?

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Caring for a loved one with cancer is tough. Doing it alone is overwhelming—especially when that loved one is a child. But ever since Ken Brighton’s partner left him, Ken has spent his days at the hospital with his daughter, Hanna, hoping for a miracle. Maybe the mysterious care packages that appear for Hanna don’t qualify, but they bring a spark of hope into his and Hanna’s tired life—and so does Ken’s neighbor, former singer Patrick Flaherty.

For two years Patrick hasn’t been able to focus on anything but the life he should have had. An injury robbed him of his voice, and the idea of introducing himself to new people intimidates him. But over the past months, he’s watched as his neighbor nursed his sick child, and once he meets Ken, Patrick starts to crave a life with him—a life he isn't sure he can have.

Ken doesn’t realize he’s fallen in love until the doctors send Hanna home, saying there’s nothing more they can do: Hanna will either recover or succumb. Ken’s heart is set on a new beginning—with both Patrick and Hanna. But Patrick's silence leaves Ken wondering what Patrick wants.

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Artist James Bryant has forearm crutches in every color from rainbow for fun to sleek black for business. He even has a pair with more paint splatters than metal. After his family’s rejection and abuse from a man he thought loved him, James only just gets through the day by painting. He lives in constant fear that he’s not worthy of anything, let alone love.

As CEO of his company, Carrington Enterprises, Seth Burns is a take-charge kind of guy, and he is instantly smitten by the artist helping with his newest project. When he witnesses James suffer a panic attack, a protective instinct he never knew he had kicks in. He truly believes nothing is unobtainable—including James—if he’s willing to put in the time and effort.

James is shy and confused by Seth’s interest in him as a person. With Seth’s support, can he work through his fears to finally find the true love he deserves, or will someone finally land the crushing blow he won’t survive?

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He’s searching for a story but finds so much more.

Brad Torrence is next on the chopping block at the newspaper where he works. Hungry for any source he can find, he runs across an ad in the classifieds: For Sale: Nursery Items, Never Used. It’s the lead he’s been looking for. Thinking a piece about the loss of a child will give him the edge he needs to keep his job, Brad follows up. He doesn’t expect a single man to answer.

Rather than being offended, Cory Wolfe finds sharing the story of his grief and pain liberating. He’s even surprised by the spark that strikes, and one story leads to another.

Brad digs into his stories and Cory’s life, eager to know everything about the man who’s caught his attention. But when a lead points him to the hospital where Cory works, he unearths a mystery that might have been safer left buried. Brad’s search for a story could prove deadly….

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HORN GATE: Open at your own risk.

Librarian Isaac Stein spends his lumpy, lonely days restoring forgotten books, until the night he steals an invitation to a scandalous club steeped in sin. Descending into its bowels, he accidentally discovers Scratch, a wounded demon who feeds on lust.

Consorting with a mortal is a bad idea, but Scratch can't resist the man who knows how to open the portal that will free him and his kind. After centuries of possessing mortals, he finds himself longing to surrender.

To be together, Isaac and Scratch must flirt with damnation and escape an inhuman trafficking ring—and they have to open their hearts or they will never unlock the Horn Gate.

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The Austin Trilogy: Book Two

Music. Topher Manning rarely thinks about anything else, but his day job as a mechanic doesn't exactly mesh with his rock star ambitions. Unless he can find a way to unlock all the songs in his head, his band will soon be on the fast track to obscurity.

Then the South by Southwest music festival and a broken-down car drop New York critic Stanton Porter into his life. Stanton offers Topher a ticket to the Bruce Springsteen concert, where a hesitant kiss and phantom vibrations from Topher’s cell phone kick off a love story that promises to transcend ordinary possibility.

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The Austin Trilogy: Book One

Ben Walsh is well on his way to becoming one of Manhattan’s top litigators, with a gorgeous boyfriend and friends on the A-list. His life is perfect until he gets a phone call that brings it all crashing down: a car accident takes his parents, and now he must return to Austin to raise three teenage brothers he barely knows.

During the funeral, Ben meets Travis Atwood, the redneck neighbor with a huge heart. Their relationship initially runs hot and cold, from contentious to flirtatious, but when the weight of responsibility starts wearing on Ben, he turns to Travis, and the pressure shapes their friendship into something that feels a lot like love. Ben thinks he’s found a way to have his old life, his new life, and Travis too, but love isn’t always easy. Will he learn to recognize that sometimes the worst thing imaginable can lead him to the place he was meant to be?

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